Even prior to scuba certification in 1995, I was fascinated with the beauty of the marine world. It's been a privilege for me to spend as much free time as possible trying to capture that beauty with photography. As I spend my workdays as a geek at Intel's ultra mobility group, I dream of the weird, wacky, and jeweled creatures of the ocean. I've been carrying a camera with me underwater since 1997, and take great pleasure in sharing some of these magical moments on my website. I believe that the ocean is making a precarious transition, and the marine world as we know it may not exist a relative few years from now. Please treasure it as I do, and consider the ways in which we influence and impact this precious world.
Everyone wants to know about equipment, so here it is in gory detail. I started out with a Nikonos V and a single SB105 strobe in 1997, which I merely carried around with me for a couple of years. After an inspiring trip to the Solomon Islands in 1998, I began to get serious about photography, and purchased a Nikon RS in 1999. This was a breakthrough for me into the world of macro. I loved my RS, but it was a heavy beast and had a limited selection of lenses. I also wanted to have a backup, and having two systems would allow me to have wide angle and macro setups available to me at all times, facilitating choices based on the dive conditions. I acquired a Nikon F100, and Subal housing, as well as a Subeye Reflex camera. The Subeye accomodates RS lenses, with the advantages of their impeccable water contact optics. I've also been dabbling with digital, first with a D100, then a D2X, and now a D300. I've migrated through several different kinds of strobes and now primarily use Inon strobes.
Current equipment:
Subeye Reflex, RS 20-35mm, 28mm lenses, Nikon land lenses, macro and wide angle ports
Nikon D300, Seatool housing with Subal port adapter, Subal ports
Nikon F100, Subal housing, macro and fisheye ports
Nikonos V, 20mm, 15mm, 35mm, macro extension tubes and framers
Nikon SLR lenses include Nikon 105mm, 60mm, 17-35mm, 20mm, Sigma 15mm FE, Tamron 2X teleconverters, Tokina 10-17mm FE. Nikon 28-105mm, 24-120mm and 70-300mm for topside use, as well as a Lensbaby.
Inon Z240 strobes (used with electical connectors for film cameras, electrical or optical connectors for Seatool housing)
Hartenberger Nano and Fisheye FIX spotting lights
Heinreichs external TTL adapter
Subeye, handmade, and ULCS trays, ULCS arms, locline handmade arms
Ikelite digital and Sekonic light meters
Films I use include Fuji Velvia, Velvia 100, 100F, and Provia 100F, Kodak E100VS, TMax B/W 100 and 400, and Agfa Scala B/W
Various filters (warming, ND, polarizing filters, as well as Magic, green and magenta CC filters for digital use with WA underwater)
I also play with Mamiya 6, Holga 120N, Diana medium format and Lomo cameras, as well as a tiny Canon SD300 digital, for shooting while cycling. I just discovered my dad's old Minolta Autocord TLR in a storage box, and had it cleaned and repaired. And I love playing with a Lensbaby lens, which gives similar effects to the toy cameras.
Past equipment, gone but not forgotten:
Nikon D2X, Subal ND2 housing
Nikon D100, Light and Motion Titan housing, Subal port adapter
Nikon RS, 50mm, Aumann teleconverter, and many marine floats :)
Ikelite SS200 and SS50 strobes
Nikonos SB105 strobes
Sea and Sea YS120 strobes
Nikon N90s (topside)
Pentax Superprogram (topside)
Olympus OM2S (topside)
Canon AE-1 (topside)
Inon Z220 and Z220s strobes
Ikelite DS125 strobes
Light and Motion Mod Lights
Awards and publications
2008 Beneath the Sea International Photo Competition - Honorable Mention Macro/Close-up
2007 NCUPS International Photo Competition - First Place Open Digital Macro
